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The band has also been prominently featured in Rolling Stone's esteemed Best of Rock issue and Elle's Women In Music issue, as well as recognized as "Faces to Watch 2013" by The Los Angeles Times, "20 Bands To Watch Out For" by Complex and "15 New Stars We Love" by Entertainment Weekly. The Haim sisters wanted to make a great pop recordand theyve succeeded. Explore the tracklist, credits, statistics, and more for Days Are Gone by Haim. In the UK, HAIM have impressively become the first female American act to ever win the BBC's Sound of 2013, an annual poll of industry leaders to identify the most promising new music talent.

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This award has been a reliable indicator of success in recent years, with Ellie Goulding and Jessie J being named the winners in the past. #Download haim days are gone album zip 320 kbps

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  • The rest of us are just going to kick back in the sun with Days Are Gone and some piña coladas. The purists might think Haim have let the studio sessions rub the edges of their raw talent. Still, it's hard to celebrate the album’s listenability and also complain about it sounding too polished. An early release of "The Wire," for example, sounded like it could have been cut in the ’70s, whereas the new, ultra-modern mix simply purloins Joan Jett’s glam-rock stomp. The other mild disappointment is that the record’s three producers (including Simian Mobile Disco’s James Ford) have largely gone for sparklingly clean edits of the songs, sacrificing the enjoyable roughness of earlier, more riotous takes. The two closing numbers, "Let Me Go" and "Running If You Call My Name," allow the darkness that otherwise lurks in the background of the album to come to the fore, and fail to hit the same pitch-perfect pop notes as a result. More than that, the title track sounds like Des’ree’s "You Gotta Be" if it had been produced by Rick James-catchy as hell, in other words. "My Song 5" is the sort of in-your-face female empowerment anthem Beyoncé would go jogging to. Not only does it contain a handful of the most radio-friendly songs of the last few years ("Forever," "Falling") it packs in some fantastically crunchy R&B bangers as well. In this, they’ve been pretty damn successful.

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    They’re a band that actively wants to make a great pop record, without getting all Kanye West about it. Haim’s rock-pop sound (think Tango In The Night-era Fleetwood Mac) is bright and breezy-just like the girls themselves, who’ve managed to keep laughing and joking through the exponentially building hype. This lightness of tone is a large part of the appeal of Days Are Gone, the band’s debut album. Even their most bitterly romantic songs like "Better Off" and "Forever" are funkified to the point where the nights spent crying that inspired them are distant memories-or at least have been repressed by piña coladas. They’re taking it easy: something they do a lot of. Californian sisters Este, Danielle and Alana Haim appear on their album cover sitting in deck chairs, wearing sunglasses.









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